By Vaishali Dinakaran| Nov 5, 2016
Sweden's Norrbotten county is nothing if not a land of contrasts
The Granbergs believe reindeer herding is best when it is a family activity. Here they are seen in traditional Sami garb called the Gákti
Image: Vaishali Dinakaran
I’m fortunate enough to be put in touch with Jennie and Olov Granberg, who belong to the Sami community and are still actively involved in reindeer farming. Early one freezing morning, I find myself on the back of a snowmobile, clinging on for dear life, as Jennie deftly navigates mounds of snow, taking me from one feeding site to the next. No sooner have we thrown down reindeer pellets than there’s a tinkling of bells and the sound of hooves. Instead of the two or three reindeer that I was expecting, we’re surrounded by a massive herd of the pale brown pelted animals. Jennie shows me how the reindeer are branded to differentiate who they belong to. I’ve been forewarned that it is exceptionally bad manners to ask someone how many reindeer they own, so I refrain. But Jennie explains that anyone can own a reindeer, even me, but it’s the farming and the herding of the “ren” that is left entirely to the Samis, primarily to safeguard the livelihood of the community.
When I spot one reindeer eyeing me suspiciously, I back away and allow Jennie’s brave three-year-old granddaughter to toss it some moss. Jennie’s youngest daughter is with us, also riding a snowmobile rather expertly. Olov is chasing a sick reindeer into a pen because it’s meant to be kept away from the rest of the herd. “If we don’t do this together, we won’t see each other at all,” Jennie says. “It’s the best way for the family to spend time together, and for the next generation to learn how it must be done.” Olov, born and raised in Arvidsjaur, tells me that he never considered doing anything else with his life. “It’s a part of us,” his wife says, explaining the link the Sami people have to the reindeer.
No sooner are the pellets thrown down at a reindeer farm than you’re surrounded by the hungry herd. Their farming and tending is left to the Sami people
Image: Vaishali Dinakaran
There’s more to Arvidsjaur than just the reindeer though, and I spend my time in the icy town exploring. I visit the local antique store. I go on walks, tramping over the frozen lakes when the opportunity arises. At the local supermarkets, I soon discover where to buy the best elk salami and frozen elk mince, and where the good rotisserie chicken is to be had. I down a few cups of coffee and a slice of cake at one of the two local cafes—Hans Pa Hornet—in an attempt to get into the habit of the Swedish coffee break or fika. I find that a local Greek restaurant, Afrodite, serves a mean reindeer plank. I discover that the fare at the second coffee shop, Tant Sveas, rivals big city cafes. I spend hours one day exploring every architectural facet of the local church. I visit the Hembygdsmuseum, the old Parish that has now been turned into a museum that gives you a glimpse into life in the early 1900s. I chat with Åsa, who runs Anna-Lisa’s souvenir boutique, who tells me how it’s important to preserve the artisanal industries of the region. I take great delight in the fact that Roland Sandgren, who mans the coat check booth at Rolle’s Krog, a local watering hole, also owns the place. He is also the bass guitarist for the accomplished band that belts out everything from Chuck Berry’s ‘Johnny B Goode’ to ZZ Top’s ‘Sharp Dressed Man’. Mostly I just watch people go by. And I realise that what I have perceived as quiet is, in fact, Arvidsjaur at its very busiest.
During winter, Arvidsjaur goes international. The car test industry descends upon the town, because the cold winters are perfect for extreme weather testing. Every hotel is booked completely. Visitors fly in from all over the world with one aim—to get to drive on the ice tracks designed on the frozen lakes. Drift schools, driving experiences, development driving—it all happens right here, in addition to the more normal attractions of skiing, sleigh rides, and dogsled rides. And with the influx of people comes an influx of money, a shot in the arm for businesses that helps them survive all year round. It’s a good time for the locals. For people so used to seeing only familiar faces, there’s a certain appeal in seeing new people, making new friends, and for the young and unattached, maybe even striking up the odd dalliance.
By the end of my second month, I miss the trappings of the city less and less. I spend hours staring out of windows watching the dance of the snowflakes. I gaze at the sun setting over the frozen lake every evening, changing everything from white to gold. And I learn to keep an eye out for the mystical green Aurora Borealis that lights up the sky every now and again. I stop regretting the times I don’t have a camera. I savour the experiences instead.
At first I wonder if this longing for home is because they’re from a different generation. A lot of the young men and women I speak to seem to be listless about the quiet, especially once winter is over and the visitors leave. “What do people do here then?” I ask a bar manager at Hotell Laponia when I find out that the weekly disco and quite a few restaurants shut at the end of the season. “People walk... some of us work out a lot, spend a lot of time at the gym,” says the young lady whose time in the gym can be evidenced by the size of her muscles, in stark contrast to a perfectly made-up face. “Drinking is a hobby for a lot of people,” her voice trails off.
But I discover there’s the other camp of young people too. Maja Gustavsson, who manages The Clarion Collection Hotel, tells me there’s always something to do and that she can’t imagine living in a city. “Here I can go for a stroll in the forest whenever I feel like it. And if I absolutely need city life, I can hop on a plane,” she says.
And, though the people might leave, the summer brings barbeques, hiking, swimming, fishing and the midnight sun too. Which gets me thinking that perhaps to truly know a place it isn’t enough to see it through the frosted glass panes of a single season.
On my very last night in Arvidsjaur, this feeling is reaffirmed. I’m at the season-ender party that Hotell Laponia hosts for its staff, to which a few lucky guests like myself, who have spent the better part of the winter there, find ourselves invited.
There’s music, dancing, costumed revelry, laughter and plenty of alcohol. I force some strong licorice-flavoured brew down my throat (for it was offered me good-naturedly) as Kristofer Lundstrom, who owns the hotel, speaks of the onset of winter in Arvidsjaur. “For two weeks a year, when the lakes begin to freeze and form ice, it’s magical,” he says. “It makes a sound that’s musical, almost like an orchestra.”
We’ve chosen to drive back home to Berlin and as we start early morning, it begins to snow. An hour into our journey, we chance upon a little Tibetan temple in the middle of nowhere, with prayer flags fluttering around it. And Kristofer’s words about the lake orchestra come flooding back. It strikes me that I’ve only experienced the silence of the Lappland. I believe I’ll have to go back to hear its music.